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DTSTART;VALUE=DATE:20261001
DTEND;VALUE=DATE:20261101
DTSTAMP:20260920T135308Z
CREATED:20260830T144421Z
LAST-MODIFIED:20260920T135308Z
UID:4792-1790812800-1793491199@highlandglen.ca
SUMMARY:October Theme:  Monochrome
DESCRIPTION:Monochrome Theme Example by Jennifer Leat \n  \n“Monochrome comes from the Greek literally meaning mono (one) chrome (colour). It includes black and white but is not limited to black and white – it could be shades of red or blue\, as long as the hue (RGB ratios) remain the same. Colour is specified by 3 variables\, hue (what we normally mean by colour e.g. red or blue)\, saturation (how intense the hue is) and value (how light or dark it is).  A monochrome image typically only varies in value and the hue (and usually the saturation) remain constant.  \nMonochrome strips away the variations in colour\, which can sometimes overpower and distract the viewer to less relevant parts of the image. It forces the photographer to think of texture and shape and the story behind the photograph. Contrast can be increased in monochrome (especially black and white) in a way which might distort a coloured image. Based on the CAPA description “Monochrome photography challenges the photographer to see beyond colour\, focusing on the interplay of light\, shadow\, texture\, and form to create compelling visual narratives”. \nThis year\, CAPA defines two categories for monochrome:\n\nA pure greyscale image using only black\, white\, and shades of grey\nA greyscale image that has been uniformly tinted with a single colour across the entire frame (such as sepia\, red\, or gold toning)\n\nIf you are considering submitting for this CAPA competition\, make sure that you carefully check the requirements and sub-themes\, see 2026 Monochrome Competition – Canadian Association for Photographic Art \n  \nHow to convert a colour image to a monochrome single hue image (black and white tinted image).\nStep 1: Convert to Black & White (you may want to a adjust the sliders (like Contrast\, Highlights\, and Shadows) to build a strong tonal foundation for your monochrome image.\nStep 2: Apply a Tint Using Color Grading\n\n\nScroll down to the Color Grading panel. \n\n\nFor a single monotone tint (like sepia or cyanotype): Click on the Midtones wheel (the middle circle). Drag the center selector toward your preferred hue (e.g.\, a warm orange/sepia or a cool blue). \n\n\nFine-tune the Blending and Balance sliders at the bottom of the Color Grading panel to control how the tones merge across the image’s luminance values.\n\n\n A few example images with single hue provided by Jennifer Leat: \n \n \n 
URL:https://highlandglen.ca/index.php/event/october-theme-monochrome/
LOCATION:ON
CATEGORIES:Theme
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DTSTART;VALUE=DATE:20261101
DTEND;VALUE=DATE:20261102
DTSTAMP:20260911T180958Z
CREATED:20260911T180754Z
LAST-MODIFIED:20260911T180958Z
UID:4853-1793491200-1793577599@highlandglen.ca
SUMMARY:Image Submission Due:  CAPA Monochrome - Deadline - Nov 1
DESCRIPTION:Please submit 1 image for consideration for the club’s CAPA entry – we need 6 images from 6 different members – by 9 PM Nov. 1st.  Images must meet the CAPA image standards requirements.  A MailChimp will be sent with the submission procedure closer to the due date.  \nTexture & Detail – Images that highlight the tactile qualities of surfaces and materials through close\, attentive observation. Whether found in natural subjects such as bark\, stone\, and organic forms\, or in architectural elements and weathered objects\, these photographs should reveal patterns\, wear\, and structure with clarity. Successful entries evoke a physical response — making viewers feel as though they could reach out and touch the surface. \nMotion & Stillness – Images that explore the interplay between movement and static elements\, expressed through the tonal and interpretive power of monochrome. Techniques such as intentional camera movement\, long exposure\, panning\, or freezing action may be used\, but the emphasis is on how motion or stillness is conveyed through light\, contrast\, and form. Subjects may include flowing water\, moving crowds\, wind-shaped landscapes\, dancers\, machinery in operation\, or celestial motion. Successful entries demonstrate how monochrome distills motion or stillness into a compelling visual experience. \nIsolation & Solitude – Images that convey the experience of being alone — physically\, emotionally\, or psychologically. This may be expressed through a lone figure in a landscape\, a solitary person in an empty interior\, a contemplative face set against negative space\, or a tightly framed portrait that communicates emotional distance. While the theme naturally invites portraiture\, the challenge lies in using monochrome’s tonal range to articulate isolation with subtlety and intention. \nHands at Work – Images that explore craftsmanship\, labour\, and human endeavour through tools\, materials\, working environments\, or the traces left behind. Whether in agricultural fields\, construction sites\, workshops\, factories\, or artist studios\, these photographs emphasize the relationship between people and the work they carry out. Strong entries use monochrome’s tonal range to reveal effort\, skill\, and purpose with clarity and intention.
URL:https://highlandglen.ca/index.php/event/image-submission-due-capa-monochrome-deadline-nov-1/
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CATEGORIES:Photo submission
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